Another year, another NeoCon—the annual design expo that showcases the innovation, creativity, and reimagination of how we will live and work.
NeoCon 2017 boasted a higher attendance than last year—by over 7 percent—and according to Byron Morton, vice president of leasing for the Merchandise Mart Properties, this was a growth both in terms of registered attendance and the uniqueness of its attendees, as nearly 20 percent of the attendees were corporate end users. These numbers aren’t surprising; has any other space changed as much as the workplace in the past five years?
This year’s colors waxed largely neutral in shades of ash, taupe, beige, and light sepia, and large block patterns took precedence over the detailed textiles of yesteryear. But nuance is everything: Wolf-Gordon’s Infinite Neutral, for instance, created a fabric that appeared gray but was spangled with nearly 30 shades of bold color in its warp and weft to create depth, and DesignTex’s Acoustic Drapery collection takes textiles even further by making it acoustic-friendly—promising to let light in and keep sound out.
While displays of customizable desks for the workspace were predictably plenty, so were their insistence on concealing levers, widgets, and wires in order give furniture an organic appearance despite tech-savvy designs. Herman Miller’s height adjustable desk “Live OS” (created in partnership with designer Yves Behar) and Knoll’s “Universal Height-Adjustable Table” both were customizable, wooden desks smart enough to collect user data to remember preferences and sense movement. This extended beyond the desk as well: the Vitra Pacific chair by Barber & Ogersby, for example, automatically adjusts to the sitter’s weight and position with very minimal manual adjustment.
